In the late 1960s and early '70s, a generation of young filmmakers revolutionized American cinema. Rejecting the studio system's conventions, directors like Coppola, Scorsese, Spielberg, and Lucas brought a bold new vision to the screen, ushering in what became known as New Hollywood.
That movement proved that innovation comes from empowering creators, not constraining them. It broke barriers. It democratized storytelling. It changed everything.
The Next
Chapter of
New Hollywood
Today, we stand at another inflection point. AI and digital tools have the power to remove the barriers to entry that have kept countless stories untold. The gatekeepers are fading and the tools are becoming accessible.
This is the next phase of New Hollywood.
“Independent film has always found a way to do more with less, and has evolved alongside every shift in technology. The tools have changed. The ambition hasn’t. We’ve finally reached the point where the distance between an indie budget and a studio aesthetic isn’t measured in dollars
— it’s measured in the imagination of the filmmaker.”
Product & Platform
Tools for every stage of the filmmaking pipeline
Scriptbox
Scriptbox is an intelligent, end-to-end enterprise-grade screenplay submission management platform that automates the intake, organization, and initial analysis of scripts.
- Transforms a chaotic submission inbox into a searchable, parsed dashboard.
- Every submission is tagged and filterable, so production-ready stories surface faster.
- Built for companies fielding volume, not a folder of PDFs.
Coverage
Every Scriptbox submission comes back as a report before anyone reads page one. Scriptbox shifts from a passive database to an active digital assistant.
- Configure your own evaluation criteria.
- Industry format compliance, screened.
- Share and export coverage reports with your team.
Creative Profiles
All interactions across New Hollywood are connected to profiles on the platform, whether you are an actor, writer, producer, or otherwise.
- Guild affiliation and representation.
- Portfolio history and accolades.
- Headshots, Bio, Demo Reel, and more.
Production Company Profiles
One secure workspace for the way your company reads, routes, and decides what gets made.
Campaigns
How a production company tells the world what it is looking for. Every Production Company Profile can run as many as it wants.
- Submitted scripts must be part of the writer's Slate.
- Ownership, or permission to represent, is acknowledged on submit.
- Writers can add notes with the submission.
My Slate
Every project from active development to distribution, in one pipeline.
- Communicate with your team and manage your projects.
- Scripts you receive can optionally be added to your slate, upon approval from the owner of the project.
- Projects must be in your Slate to be considered for a Campaign.
Scriptini
An agent in the page with you. It builds from your beats and keeps the world of the story as you draft.
- Watch your story as you write it with the integrated Screenplayer
- Assisted beats, logline, and synopsis before a scene exists
- Characters and locations management, with images you can upload or generate.
Screenplayer
The script as a picture. A lo-fi animatic from the scenes you already have, or a Hi-Fi previz that animates your story.
- Play scene to scene, jump from the heading, and export an MP4 of what is generated so far — with the dialogue.
- Lo-fi animatic: illustrated boards with dialogue.
- Hi-Fi Previz: animate your story with motion, dialogue, sound design, and music.
Auditioner
A scene partner that already has the other lines, so you can tape without waiting on someone to read with you.
- Use Auditioner for a casting call in the platform, or off-platform with sides you bring.
- Download an mp4 of your audition
Pitcher
A deck they can click through, instead of a PDF they have to download.
- Control which sections show up in your pitch deck and create multiple decks for different audiences.
- Upload or generate the video and image assets.
- TMDB integration for finding and listing attachments and comps.
Sudocut
Dailies come back as a cut, with the other takes still attached to each shot.
- A first assembly from the footage, instead of a bin you build by hand.
- Alternates grouped on the shot they belong to.
- MP4 and OTIO out to your NLE, or keep adjusting the cut in Screenplayer.
Final Script
The locked picture is not the shooting script. This reads the finished film and writes the screenplay the cut actually is.
- Built from the movie, not from the draft you started with.
- A final screenplay of what made the picture.
- A CCSL deliverable alongside it.